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In Asia, men above a certain age are respectfully referred to as 'Uncle'. This single word sums up so much about Asian inter generational relationships, and the power and wisdom embedded in them. It is this self image, ethnic / national identity and the way we relate to each other that is what is under scrutiny in a lot of my work, which is ultimately about…..people. I try and chronicle their stories when they are the least self-conscious, and this I find in ‘the street’. This is where we reveal ourselves….where we collectively say more than we know. These information highways are full of information and clues as to where we came from and where we may be heading. I am not attempting to romanticize the past, but rather ‘re-validate’ it by showing the interconnectedness between our past, present and future.

Each Fine Art Print is titled, numbered and signed in Ketna’s handwriting.

Depending on each composition’s ‘personality’, colour spectrum and destined geographical location, the Artwork is printed either as a C-Type print on Fuji gloss paper or as a Giclee print on Hahnemuhle Photo Rag paper. (For humid countries e.g Singapore, C-type Fuji paper is advised as it is less impervious to moisture and mould)

All Prints are made at the most accredited and reputable Printing studios in London, Singapore or New Delhi, using the best quality fine art archival paper available.

The studio meticulously keeps account of each numbered print, including when and who it was sold to, so there is no chance of duplication. Each Fine Art Paper Print comes in an edition of 50, so for the three sizes, the total prints ever made will be 150. Each metal + acrylic print comes in 3 sizes; 10 editions each, making a total of 60. The total edition for each artwork is therefore 210, thus enabling a variety of sizes, budget options and international outreach.

Each Print is made to order. Please allow 10-14 days for Fine Art Paper + HD Metal delivery, and 2-3 weeks for Acrylic printing (as the production process is more complex).